Scattered thoughts about “Born to Run” on its 40th anniversary

“Born to run, it’s got the feeling of that one, endless summer night. That’s what the whole record feels like. It could all be taking place … in the course of one evening, in all these different locations. All these different stories on one, sort of long summer night.”

— Bruce Springsteen

When “The Sopranos” ended, people were pisssssed. Most were pissed because the series finale ended out of no where, and they thought their cable randomly broke. I was pissed for a different reason: I thought the show was going to end with Tony Soprano saving New Jersey while “Jungleland” played in the background.

Saving it how? I don’t know. Saving it from what? I don’t know. There was no reason to think “The Sopranos” was gonna end on a positive note, but I thought it would. There was no reason why “The Sopranos” was gonna end with Tony as the hero, but I thought it would. The main reason for this is “Born to Run.”

And why did I think such things?

“Barefoot girls sitting on the hood of a dodge, drinking warm beer in the soft summer rain.”

I can’t think a story — any story — isn’t gonna end well in a world with lyrics like that. Especially one set in Jersey! I lived in Jersey for almost seven years, I felt bad in Jersey. But I also knew “Born to Run” was born in Jersey.

“We can make it if we run.”

“Born to Run” ain’t even my favorite Springsteen album (that would be “Darkness …”). But it’s perfect. It’s got barefoot girls sitting on the hood a dodge, drinking warm beer in the soft summer rain.

And it’s got Tony Soprano saving New Jersey. From what? Aliens, maybe. The poets down here don’t write nothing at all.

Brian Cougar

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Scattered thoughts about “Born to Run” on its 40th anniversary

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